24,200 Royalty-Free Audio Tracks for "Midi Files Of Music By Frédéric Chopin"

A Tale of Distant Lands (Von fremden Ländern und Menschen), Scenes from Childhood (Kinderszenen), Opus 15

Admonter Krippenlied Text von Leopold Hörlezeder: Ein Kindlein uns geboren ist zu Bethlehem im Stall. Das Kindlein ist Herr Jesus Christ, drum freut, o freut euch all! Das Kindlein sieht nicht Geld und Gut, nicht Macht und Würde an. Wer seines Vaters Willen tut, der hat ihm wohlgetan. Es ist vor ihm kein Unterschied: Es bringt zu allen gleich der Heiland, der die Herzen sieht, des Vaters Himmelreich. O nieder's Haus voll Herrlichkeit! Zu Bethlehem im Stall ward aller Welt ein Segen heut, o freut, o freut euch all!

MIDI file of 1901 Cuckoo Waltz by Australian composer Thomas Bulch

MIDI file of Bay View Gavotte 1893 by Australian composer William Stanley 1820-1902

So What chord.

Fantasie in B minor, Op. 28 (1900) by Alexander Scriabin, played by Kimberly Hou at the 2011 Minnesota International Piano-e-Competition

Piano Sonata No. 8 (Beethoven) second movement (Adagio cantabile) 12 KB, 5:03 minutes

Fantasie in B minor, Op. 28 (1900) by Alexander Scriabin, played by Jonathan Floril at the 2009 Minnesota International Piano-e-Competition

Hark! The Herald Angels Sing. 日本語: 天にはさかえ。

Schumann; Carnaval

MIDI file of 'Tarantelle' 1909 by Fred Werner ca. 1850-1920

Es ist genug, Schlusschoral der Kantate O Ewigkeit, du Donnerwort BWV 60; Melodie: Johann Rudolf Ahle

MIDI file of 'Beaux Yeux' (Beautiful Eyes Waltz 1908) by Australian composer May Summerbelle (1867-1947) dedicated to Grace Palotta

Song: "Cheating muchachita (Amargura)".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Carlos Gardel- Record: Victor, 89233/1, 1934.

Song: "Pobre mi madre".- Author: José Betinoti (1878-1915).- Interpreter: Singer: Carlos Gardel.- Record: Columbia, T595, Side A, Buenos Aires, 1913. Tema: "Pobre mi madre".- Autor: José Betinoti (1878-1915).- Interprete: Cantante: Carlos Gardel.- Grab.: Columbia, T595, Lado A, Buenos Aires, 1913.

Song: "La mañanita".- Author: Carlos Gardel (1890-1935).- Interpreter: Singer: Carlos Gardel.- Record: 1912; published: Columbia, T594, Side A, Buenos Aires, 1913. Tema: "La mañanita".- Autor: Carlos Gardel (1890-1935).- Interprete: Cantor: Carlos Gardel.- Grab.: 1912; publicado: Columbia, T594,Lado A, Buenos Aires, 1913.

Song: "Claveles mendocinos".- Author: Alfredo Pelaia (1888-1942).- Interpreter: Singers: Carlos Gardel & José Razzano; guitars: José María Aguilar & Guillermo Barbieri (leader guitar).- Record: Odeón 18801 5155/1, Buenos Aires, 31/DEC/1929. Tema: "Claveles mendocinos".- Autor: Alfredo Pelaia (1888-1942).- Interprete: Cantores: Dúo Carlos Gardel & José Razzano; guitarras: José María Aguilar & Guillermo Barbieri (1ra guitarra).- Grab.: Odeón 18801 5155/1, Buenos Aires, 31/DIC/1929.

Song: "Sus ojos se cerraron".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Orq: Terig Tucci.- Record: Victor BVE-89225/1, New York, 19/MAR/1935. Tema: "Sus ojos se cerraron".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantor: Carlos Gardel; Orq: Terig Tucci.- Grab.: Victor BVE-89225/1, 19/MAR/1935.

Song: "Una rosa para mi rosa".- Author: Saúl Salinas (1882-1921).- Interpreter: Singer: Carlos Gardel; Guitars Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Record: Odeon, 18901, matrix E7552-1, Buenos Aires, 1933. Tema: "Una rosa para mi rosa".- Autor: Saúl Salinas (1882-1921).- Interprete: Cantante: Carlos Gardel; Guitarras: Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Grab.: Odeon, 18901, matrix E7552-1, Buenos Aires, 1933.

Song: "Recuerdo malevo".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Guitars Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Record: Odeon 18885 7350/1, 22/02/1933 Buenos Aires Tema: "Recuerdo malevo".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantante: Carlos Gardel; Guitarras Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Grab.: Odeon 18885 7350/1, 22/02/1933 Buenos Aires

Song: "Me dejaste" (El poncho del olvido).- Author: Music: Osman Pérez Freire (1878-1930) & Lyrics: Andrés Cepeda (1879-1910).- Interpreter: Singer: Carlos Gardel.- Record: Columbia, T594, Side B, Buenos Aires, 1913. Tema: "Me dejaste" (El poncho del olvido).- Autor: Musica: Osman Pérez Freire (1878-1930) & Letra: Andrés Cepeda (1879-1910).- Interprete: Cantor: Carlos Gardel.- Grab.: Columbia, T594,Lado B, Buenos Aires, 1913.

Song: "Pordioseros".- Author: Guillermo Barbieri (1894-1935).- Interpreter: Singer: Carlos Gardel; guitars: José María Aguilar, Guillermo Barbieri (1rst guitar) and Angel Domingo Riverol.- Record: Odeon, 18823 5814, Buenos Aires, 28/JUN/1930. Tema: "Pordioseros".- Autor: Guillermo Barbieri (1894-1935).- Interprete: Cantante: Carlos Gardel; guitarras: José María Aguilar, Guillermo Barbieri (1ra guitarra) y Angel Domingo Riverol.- Record: Odeon, 18823 5814, Buenos Aires, 28/JUN/1930.

Song: "El día que me quieras".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Orq: Terig Tucci.- Record: Victor 32458 Bve89229, 19/MAR/1935. Tema: "El día que me quieras".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantante: Carlos Gardel; Orq: Terig Tucci.- Grab.: Victor 32458 Bve89229, 19/MAR/1935.

Song: "Mi Buenos Aires querido".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Orq: Terig Tucci.- Record: Victor 32189 Bs83559, 30/JUL/1934. Tema: "Mi Buenos Aires querido".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantor: Carlos Gardel; Orq: Terig Tucci.- Grab.: Victor 32189 Bs83559, 30/JUL/1934.

Perfect octave on D-sharp, as MIDI.

Octave on C. 1/2: 1200 cents.

Octaves marked middle octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.

Octaves marked highest octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.

My Thoughts, 1930 Australian Aboriginal spiritual by Tom Foster (1870–1940), Tharawal Australian Aboriginal with sample drum beat – all rights waived

Multi-octave F major chord with octaves marked by brackets. Created by Hyacinth (talk) 07:47, 3 January 2012 (UTC) using Sibelius 5.

Octaves marked lowest octave. Created by Hyacinth (talk) 07:51, 3 January 2012 (UTC) using Sibelius 5.

Schubert, String Quintet in C, final bars.

Dominant seventh in Beethoven's Fifth Symphony, last movement.

Johann Sebastian Bach. BWV 269. Aus meines Herzens Grunde (Chorale 1)

Chorale prelude BWV 686 Auf tiefer Noth schrei' ich zu dir from Clavier-Übung III, encoded in lilypond and converted into a midi file

An arpeggio passage from Bach's Jesu, Joy of Man's Desiring.

Midi file of Chorale Prelude Christ unser Herr zum Jordan kam BWV 684 from Clavier-Übung III created using lilypond

Chorale prelude BWV 689 Jesus Christus, unser Heiland from Clavier-Übung III, encoded in lilypond and converted into a midi file

Score of Haydn (1732–1809) quartet Opus 20, No 4, movement ???. Tempo, quarter=120.

Midi file of Chorale Prelude Jesus Christus unser Heiland, der von uns den Zorn Gottes wand BWV 688 from Clavier-Übung III created using lilypond

Beethoven: Piano Concerto No. 4, slow movement

Chorale prelude BWV 685 Christ, unser Herr, zum Jordan kam from Clavier-Übung III, encoded in lilypond and converted into a midi file

Freut euch des Lebens

Opening of Mozart's piano sonata K545. Created by Hyacinth (talk) 01:48, 31 October 2011 (UTC) using Sibelius.

Example 12 from Stockhausen's article "… wie die Zeit vergeht …", illustrating with a version of the series from Gruppen fur drei Orchester that, "if you start from the intervals of a proportion series, then with every step forward the register of each duration is also already chosen" (Stockhausen 1963b, 117). There are "a number of basic durations, indicated in metronome marks and corresponding with the pitch proportions within the series, reaching far as the octave positions (basic duration units)" (Leeuw 2005, 174), or "a duration scale which changes its 'time register' … corresponds to a twelve-tone scale that extends over more than one octave" (Misch 1998, 157–58).

Prime form of five note tone row from Igor Stravinsky's In memoriam Dylan Thomas.

John Jacob Jingleheimer Schmidt

Tone mixtures for Group I of Studie II. First five pitches (Group I: 1). G♯=100 Hz.

Tone row from Stockhausen's Klavierstück IX.